| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
По разделу |
354293 | 1228 |
13 |
136 |
110 |
165 |
79 |
67 |
80 |
81 |
173 |
110 |
77 |
137 |
0 |
6 |
3 |
4 |
8 |
5 |
8 |
2 |
3 |
3 |
7 |
4 |
5 |
2 |
3 |
3 |
3 |
5 |
6 |
7 |
2 |
4 |
8 |
3 |
5 |
3 |
3 |
3 |
5 |
3 |
2 |
5 |
6 |
4 |
6 |
4 |
4 |
4 |
3 |
4 |
3 |
5 |
3 |
9 |
4 |
5 |
6 |
3 |
5 |
4 |
3 |
3 |
3 |
5 |
6 |
5 |
2 |
2 |
1 |
3 |
5 |
2 |
Окопные стихи |
5134 | 575 |
12 |
95 |
86 |
53 |
32 |
32 |
43 |
35 |
42 |
48 |
35 |
62 |
0 |
6 |
3 |
3 |
4 |
3 |
7 |
1 |
3 |
3 |
2 |
4 |
5 |
1 |
2 |
2 |
2 |
1 |
6 |
7 |
2 |
0 |
8 |
3 |
3 |
2 |
3 |
2 |
1 |
0 |
1 |
5 |
6 |
0 |
6 |
2 |
4 |
2 |
1 |
4 |
3 |
3 |
2 |
9 |
4 |
3 |
5 |
3 |
5 |
4 |
3 |
3 |
3 |
4 |
5 |
1 |
2 |
1 |
1 |
3 |
5 |
0 |
Разговор с Андреем Загорцевым |
21767 | 524 |
4 |
46 |
40 |
61 |
39 |
22 |
47 |
32 |
39 |
38 |
45 |
111 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
2 |
7 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
2 |
0 |
1 |
1 |
1 |
5 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
6 |
5 |
2 |
1 |
0 |
3 |
1 |
1 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
31822 | 440 |
8 |
63 |
44 |
47 |
33 |
27 |
38 |
34 |
51 |
36 |
27 |
32 |
0 |
4 |
2 |
2 |
1 |
4 |
7 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
3 |
0 |
3 |
6 |
4 |
1 |
1 |
1 |
0 |
4 |
3 |
1 |
0 |
5 |
0 |
1 |
1 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
6 |
1 |
3 |
2 |
1 |
0 |
1 |
5 |
5 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
Анатолий Гончар (Еременко) |
361 | 361 |
5 |
27 |
26 |
41 |
15 |
14 |
27 |
22 |
162 |
22 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
История России в военных дневниках моего дедушки |
26370 | 315 |
7 |
30 |
36 |
39 |
24 |
24 |
29 |
31 |
27 |
19 |
25 |
24 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
5 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
3 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
Разговор с Павлом Андреевым |
5609 | 250 |
5 |
21 |
26 |
29 |
45 |
10 |
13 |
15 |
23 |
19 |
24 |
20 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
Алексей Сквер "Забво" |
14247 | 234 |
6 |
31 |
33 |
27 |
14 |
10 |
18 |
19 |
22 |
17 |
14 |
23 |
0 |
4 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
4 |
1 |
0 |
4 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
5 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
Теория прозы |
8486 | 225 |
5 |
29 |
29 |
26 |
14 |
10 |
15 |
18 |
15 |
26 |
21 |
17 |
0 |
2 |
0 |
3 |
0 |
5 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
4 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
Разговор с Равилем Бикбаевым |
4663 | 216 |
6 |
36 |
27 |
39 |
12 |
8 |
13 |
13 |
19 |
14 |
13 |
16 |
0 |
3 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
5 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20190 | 211 |
5 |
31 |
17 |
27 |
16 |
10 |
13 |
15 |
20 |
21 |
21 |
15 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Разговор с Александром Карцевым |
5067 | 210 |
4 |
33 |
31 |
28 |
13 |
11 |
15 |
15 |
14 |
11 |
15 |
20 |
0 |
2 |
1 |
1 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
5 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
О вреде самообмана, или кто наследует землю |
10736 | 208 |
5 |
27 |
23 |
28 |
16 |
11 |
18 |
17 |
22 |
13 |
12 |
16 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
6 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
Равиль Бикбаев |
976 | 208 |
6 |
28 |
21 |
29 |
12 |
10 |
15 |
20 |
20 |
15 |
18 |
14 |
0 |
2 |
0 |
4 |
8 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
207 | 207 |
2 |
39 |
36 |
130 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
5 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
Оглянувшись в будущее |
8734 | 206 |
5 |
24 |
23 |
26 |
12 |
8 |
17 |
19 |
21 |
17 |
17 |
17 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
Нарастание пустоты (интервью журналу "Партия") |
4832 | 206 |
6 |
33 |
21 |
35 |
23 |
9 |
15 |
9 |
15 |
14 |
14 |
12 |
0 |
3 |
0 |
3 |
0 |
0 |
7 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
"Город" Андрея Загорцева |
7315 | 202 |
5 |
26 |
20 |
27 |
14 |
7 |
14 |
16 |
27 |
16 |
14 |
16 |
0 |
2 |
0 |
3 |
1 |
1 |
8 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
Разговор с Анатолием Гончаром |
3615 | 200 |
4 |
19 |
18 |
30 |
13 |
20 |
15 |
16 |
20 |
19 |
14 |
12 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
Уроки Александра Карцева |
7606 | 193 |
4 |
28 |
19 |
33 |
15 |
8 |
16 |
12 |
19 |
10 |
13 |
16 |
0 |
2 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Ярость бунта, или метафизика Беркема |
16230 | 190 |
5 |
25 |
17 |
26 |
14 |
7 |
12 |
16 |
19 |
19 |
16 |
14 |
0 |
3 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10816 | 187 |
7 |
17 |
18 |
29 |
19 |
8 |
13 |
15 |
20 |
13 |
12 |
16 |
0 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
Александр Карцев |
2848 | 186 |
4 |
21 |
21 |
32 |
16 |
8 |
12 |
15 |
23 |
14 |
8 |
12 |
0 |
2 |
0 |
2 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
Алексей Ивакин |
4031 | 181 |
5 |
24 |
20 |
34 |
13 |
6 |
15 |
13 |
15 |
12 |
14 |
10 |
0 |
3 |
0 |
2 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
Технология рассказа |
5790 | 181 |
7 |
24 |
22 |
33 |
12 |
8 |
13 |
15 |
13 |
11 |
11 |
12 |
0 |
3 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
Неистовый Глеб... |
3890 | 175 |
8 |
19 |
22 |
27 |
12 |
10 |
10 |
11 |
17 |
14 |
12 |
13 |
0 |
4 |
0 |
4 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
Метаморфопсия, или Печальный Диверсант |
7018 | 172 |
3 |
18 |
20 |
26 |
13 |
7 |
16 |
16 |
16 |
13 |
9 |
15 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Тонкая нить Андрея Загорцева |
7362 | 172 |
4 |
19 |
16 |
36 |
11 |
5 |
21 |
10 |
16 |
8 |
9 |
17 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
"Мародер" Б. аль Атоми |
7624 | 171 |
8 |
20 |
21 |
29 |
12 |
5 |
12 |
14 |
10 |
11 |
14 |
15 |
0 |
4 |
1 |
3 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
Казус Бабченко, или Ни одна обезьяна |
9439 | 170 |
5 |
22 |
22 |
28 |
13 |
7 |
12 |
15 |
14 |
7 |
13 |
12 |
0 |
3 |
0 |
2 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
Нам времени осталось мало |
7420 | 166 |
3 |
17 |
18 |
27 |
14 |
11 |
10 |
14 |
13 |
10 |
10 |
19 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
Разговор с Алексеем Сквером |
4116 | 163 |
4 |
19 |
22 |
26 |
13 |
7 |
12 |
13 |
13 |
9 |
11 |
14 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
"Обыкновенная жизнь" Анатолия Гончара |
5345 | 161 |
5 |
18 |
17 |
27 |
14 |
6 |
12 |
11 |
17 |
13 |
10 |
11 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
О повести Алексея Козлачкова "Французский парашютист" |
1721 | 160 |
3 |
18 |
18 |
24 |
15 |
9 |
11 |
15 |
14 |
10 |
12 |
11 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
"Данила" Александра Карцева |
6765 | 159 |
5 |
19 |
17 |
22 |
10 |
8 |
11 |
12 |
12 |
14 |
16 |
13 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7643 | 158 |
3 |
16 |
21 |
22 |
15 |
6 |
12 |
11 |
15 |
10 |
10 |
17 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
Субъективные заметки о феврале и искусстве |
5091 | 156 |
4 |
22 |
16 |
25 |
11 |
8 |
8 |
10 |
13 |
9 |
13 |
17 |
0 |
2 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
Две повести о войне |
13807 | 155 |
5 |
17 |
19 |
28 |
8 |
8 |
10 |
14 |
11 |
10 |
14 |
11 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Виталий Носков (к 60-летию друга) |
4929 | 153 |
3 |
18 |
20 |
25 |
12 |
7 |
13 |
12 |
10 |
12 |
11 |
10 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
Дороги памяти... |
4861 | 151 |
3 |
18 |
16 |
27 |
10 |
6 |
11 |
13 |
12 |
13 |
11 |
11 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |