| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
По разделу |
345366 | 2318 |
96 |
207 |
207 |
154 |
207 |
198 |
192 |
223 |
206 |
218 |
208 |
202 |
0 |
2 |
4 |
9 |
11 |
5 |
7 |
7 |
6 |
7 |
6 |
6 |
8 |
6 |
7 |
5 |
6 |
7 |
6 |
11 |
6 |
7 |
6 |
9 |
5 |
6 |
7 |
8 |
8 |
6 |
6 |
7 |
6 |
10 |
6 |
7 |
8 |
5 |
8 |
5 |
10 |
8 |
5 |
7 |
5 |
6 |
6 |
5 |
6 |
7 |
6 |
6 |
8 |
8 |
6 |
6 |
8 |
5 |
8 |
7 |
8 |
7 |
Разговор с Андреем Загорцевым |
21337 | 2306 |
94 |
207 |
205 |
147 |
207 |
198 |
191 |
223 |
206 |
218 |
208 |
202 |
0 |
0 |
4 |
9 |
11 |
5 |
7 |
7 |
6 |
7 |
6 |
6 |
8 |
6 |
7 |
5 |
6 |
7 |
6 |
11 |
6 |
7 |
6 |
9 |
5 |
6 |
7 |
8 |
8 |
6 |
6 |
7 |
6 |
10 |
6 |
7 |
8 |
5 |
8 |
5 |
10 |
8 |
5 |
7 |
5 |
6 |
6 |
5 |
6 |
7 |
6 |
6 |
6 |
8 |
6 |
6 |
8 |
5 |
8 |
7 |
8 |
7 |
Окопные стихи |
4598 | 468 |
39 |
55 |
34 |
32 |
25 |
37 |
39 |
43 |
49 |
38 |
31 |
46 |
0 |
2 |
4 |
7 |
4 |
0 |
3 |
2 |
0 |
1 |
2 |
6 |
2 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
3 |
5 |
2 |
5 |
0 |
0 |
1 |
2 |
4 |
0 |
1 |
3 |
3 |
3 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
5 |
5 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
31401 | 353 |
19 |
38 |
35 |
38 |
25 |
27 |
44 |
32 |
29 |
24 |
23 |
19 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
5 |
2 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
История России в военных дневниках моего дедушки |
26066 | 328 |
11 |
22 |
25 |
30 |
34 |
37 |
43 |
29 |
18 |
14 |
24 |
41 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
Разговор с Павлом Андреевым |
5372 | 250 |
13 |
22 |
11 |
16 |
21 |
20 |
34 |
22 |
28 |
22 |
17 |
24 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
О вреде самообмана, или кто наследует землю |
10537 | 213 |
9 |
21 |
18 |
17 |
14 |
15 |
25 |
19 |
15 |
17 |
19 |
24 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
Алексей Сквер "Забво" |
14029 | 211 |
16 |
20 |
16 |
17 |
13 |
15 |
31 |
18 |
20 |
12 |
19 |
14 |
0 |
0 |
1 |
1 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
19988 | 207 |
9 |
19 |
16 |
17 |
19 |
14 |
34 |
20 |
16 |
12 |
18 |
13 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
Ярость бунта, или метафизика Беркема |
16048 | 204 |
8 |
19 |
15 |
14 |
13 |
15 |
35 |
22 |
16 |
12 |
19 |
16 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
5 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
Теория прозы |
8269 | 203 |
8 |
21 |
18 |
9 |
19 |
10 |
24 |
28 |
15 |
16 |
18 |
17 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
Равиль Бикбаев |
776 | 201 |
8 |
15 |
14 |
15 |
10 |
18 |
30 |
14 |
17 |
23 |
23 |
14 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
Разговор с Александром Карцевым |
4870 | 200 |
13 |
19 |
21 |
20 |
13 |
13 |
22 |
17 |
18 |
11 |
18 |
15 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
Метаморфопсия, или Печальный Диверсант |
6856 | 195 |
10 |
20 |
32 |
12 |
10 |
10 |
28 |
16 |
17 |
11 |
18 |
11 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
6 |
8 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
Оглянувшись в будущее |
8536 | 191 |
8 |
18 |
11 |
27 |
15 |
9 |
28 |
16 |
15 |
15 |
16 |
13 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
Нам времени осталось мало |
7266 | 189 |
12 |
19 |
19 |
13 |
9 |
12 |
26 |
16 |
20 |
14 |
16 |
13 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
Уроки Александра Карцева |
7423 | 179 |
10 |
14 |
13 |
17 |
12 |
14 |
28 |
15 |
17 |
11 |
16 |
12 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Казус Бабченко, или Ни одна обезьяна |
9276 | 178 |
7 |
13 |
15 |
15 |
10 |
9 |
30 |
16 |
16 |
15 |
18 |
14 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10641 | 177 |
12 |
14 |
13 |
16 |
16 |
9 |
28 |
14 |
14 |
11 |
17 |
13 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
"Город" Андрея Загорцева |
7121 | 177 |
8 |
15 |
13 |
12 |
11 |
10 |
26 |
18 |
17 |
16 |
20 |
11 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
Разговор с Равилем Бикбаевым |
4455 | 174 |
8 |
23 |
12 |
14 |
10 |
14 |
21 |
16 |
17 |
10 |
16 |
13 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
"Обыкновенная жизнь" Анатолия Гончара |
5190 | 172 |
6 |
14 |
14 |
18 |
10 |
9 |
25 |
14 |
15 |
12 |
22 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Технология рассказа |
5614 | 170 |
5 |
12 |
13 |
11 |
10 |
12 |
24 |
18 |
24 |
12 |
15 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7496 | 168 |
11 |
15 |
11 |
17 |
9 |
10 |
22 |
14 |
17 |
11 |
17 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Две повести о войне |
13658 | 168 |
6 |
17 |
16 |
14 |
10 |
11 |
28 |
13 |
17 |
7 |
17 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Виталий Носков (к 60-летию друга) |
4781 | 167 |
5 |
15 |
10 |
19 |
7 |
9 |
28 |
16 |
16 |
12 |
15 |
15 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
Неистовый Глеб... |
3721 | 166 |
6 |
14 |
10 |
12 |
7 |
8 |
27 |
18 |
18 |
13 |
16 |
17 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Александр Карцев |
2669 | 165 |
7 |
15 |
13 |
13 |
13 |
11 |
20 |
17 |
19 |
10 |
14 |
13 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Разговор с Анатолием Гончаром |
3421 | 163 |
6 |
15 |
12 |
19 |
9 |
11 |
21 |
15 |
17 |
11 |
12 |
15 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
"Данила" Александра Карцева |
6614 | 160 |
8 |
13 |
10 |
13 |
9 |
8 |
26 |
13 |
20 |
12 |
14 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Алексей Ивакин |
3857 | 158 |
7 |
14 |
13 |
10 |
9 |
8 |
24 |
12 |
19 |
10 |
16 |
16 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
"Мародер" Б. аль Атоми |
7462 | 158 |
9 |
13 |
11 |
11 |
10 |
11 |
22 |
15 |
18 |
11 |
14 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
Разговор с Алексеем Сквером |
3960 | 158 |
7 |
16 |
12 |
11 |
7 |
11 |
26 |
12 |
15 |
11 |
18 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
Нарастание пустоты (интервью журналу "Партия") |
4632 | 158 |
6 |
13 |
11 |
12 |
9 |
14 |
23 |
14 |
15 |
13 |
15 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
Тонкая нить Андрея Загорцева |
7201 | 158 |
11 |
12 |
17 |
13 |
7 |
8 |
22 |
16 |
16 |
10 |
15 |
11 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
"Шелковый путь" Александра Карцева |
4903 | 155 |
6 |
21 |
8 |
14 |
10 |
8 |
23 |
15 |
16 |
8 |
15 |
11 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Дороги памяти... |
4717 | 155 |
7 |
18 |
9 |
15 |
8 |
9 |
24 |
14 |
16 |
10 |
13 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
О повести Алексея Козлачкова "Французский парашютист" |
1565 | 150 |
4 |
13 |
11 |
12 |
8 |
13 |
23 |
15 |
17 |
10 |
13 |
11 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
Субъективные заметки о феврале и искусстве |
4944 | 145 |
9 |
13 |
10 |
13 |
9 |
9 |
20 |
13 |
17 |
6 |
12 |
14 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
Сага порванных душ |
9681 | 140 |
4 |
16 |
8 |
16 |
7 |
7 |
22 |
14 |
14 |
9 |
12 |
11 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |