| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
По разделу |
355717 | 1352 |
137 |
136 |
110 |
165 |
79 |
67 |
80 |
81 |
173 |
110 |
77 |
137 |
1 |
7 |
3 |
9 |
8 |
4 |
4 |
3 |
3 |
6 |
4 |
10 |
8 |
6 |
3 |
5 |
4 |
3 |
4 |
5 |
10 |
4 |
2 |
4 |
4 |
6 |
3 |
4 |
8 |
5 |
8 |
2 |
3 |
3 |
7 |
4 |
5 |
2 |
3 |
3 |
3 |
5 |
6 |
7 |
2 |
4 |
8 |
3 |
5 |
3 |
3 |
3 |
5 |
3 |
2 |
5 |
6 |
4 |
6 |
4 |
4 |
4 |
Окопные стихи |
5214 | 655 |
92 |
95 |
86 |
53 |
32 |
32 |
43 |
35 |
42 |
48 |
35 |
62 |
0 |
3 |
1 |
3 |
3 |
4 |
4 |
3 |
2 |
2 |
4 |
8 |
8 |
1 |
3 |
1 |
4 |
2 |
1 |
3 |
10 |
4 |
1 |
2 |
3 |
6 |
3 |
3 |
4 |
3 |
7 |
1 |
3 |
3 |
2 |
4 |
5 |
1 |
2 |
2 |
2 |
1 |
6 |
7 |
2 |
0 |
8 |
3 |
3 |
2 |
3 |
2 |
1 |
0 |
1 |
5 |
6 |
0 |
6 |
2 |
4 |
2 |
Разговор с Андреем Загорцевым |
21809 | 566 |
46 |
46 |
40 |
61 |
39 |
22 |
47 |
32 |
39 |
38 |
45 |
111 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
6 |
3 |
1 |
3 |
4 |
2 |
0 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
2 |
7 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
2 |
0 |
1 |
1 |
1 |
5 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
Сходство и различие авторских концепций в изображении войны в "Севастопольских рассказах" Л.Н. Толстого и в книге В.Н. Носкова "Любите нас, пока мы живы" |
31875 | 493 |
61 |
63 |
44 |
47 |
33 |
27 |
38 |
34 |
51 |
36 |
27 |
32 |
0 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
4 |
4 |
6 |
4 |
0 |
3 |
0 |
4 |
1 |
3 |
2 |
1 |
2 |
0 |
4 |
2 |
4 |
2 |
2 |
1 |
4 |
7 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
3 |
0 |
3 |
6 |
4 |
1 |
1 |
1 |
0 |
4 |
3 |
1 |
0 |
5 |
0 |
1 |
1 |
5 |
0 |
2 |
1 |
1 |
3 |
Анатолий Гончар (Еременко) |
400 | 400 |
44 |
27 |
26 |
41 |
15 |
14 |
27 |
22 |
162 |
22 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
3 |
6 |
4 |
6 |
3 |
0 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
История России в военных дневниках моего дедушки |
26407 | 352 |
44 |
30 |
36 |
39 |
24 |
24 |
29 |
31 |
27 |
19 |
25 |
24 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
7 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
Разговор с Павлом Андреевым |
5647 | 288 |
43 |
21 |
26 |
29 |
45 |
10 |
13 |
15 |
23 |
19 |
24 |
20 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
7 |
5 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
4 |
Алексей Сквер "Забво" |
14279 | 266 |
38 |
31 |
33 |
27 |
14 |
10 |
18 |
19 |
22 |
17 |
14 |
23 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
6 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
4 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
4 |
1 |
0 |
4 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
Уроки Александра Карцева |
7674 | 261 |
72 |
28 |
19 |
33 |
15 |
8 |
16 |
12 |
19 |
10 |
13 |
16 |
0 |
7 |
3 |
9 |
8 |
3 |
3 |
3 |
3 |
6 |
2 |
6 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
Разговор с Александром Карцевым |
5107 | 250 |
44 |
33 |
31 |
28 |
13 |
11 |
15 |
15 |
14 |
11 |
15 |
20 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
4 |
7 |
3 |
2 |
2 |
1 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
Теория прозы |
8510 | 249 |
29 |
29 |
29 |
26 |
14 |
10 |
15 |
18 |
15 |
26 |
21 |
17 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
6 |
3 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
5 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
Этический кодекс героя "Солдатской саги" Глеба Боброва. |
20224 | 245 |
39 |
31 |
17 |
27 |
16 |
10 |
13 |
15 |
20 |
21 |
21 |
15 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
3 |
5 |
4 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
3 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
Оглянувшись в будущее |
8772 | 244 |
43 |
24 |
23 |
26 |
12 |
8 |
17 |
19 |
21 |
17 |
17 |
17 |
0 |
0 |
2 |
4 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
10 |
4 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
Разговор с Равилем Бикбаевым |
4691 | 244 |
34 |
36 |
27 |
39 |
12 |
8 |
13 |
13 |
19 |
14 |
13 |
16 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
6 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
5 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
3 |
О вреде самообмана, или кто наследует землю |
10766 | 238 |
35 |
27 |
23 |
28 |
16 |
11 |
18 |
17 |
22 |
13 |
12 |
16 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
5 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
Анатолий Гончар (6 января 1965 - 31 июля 2023) |
237 | 237 |
32 |
39 |
36 |
130 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
6 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
5 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
Равиль Бикбаев |
1004 | 236 |
34 |
28 |
21 |
29 |
12 |
10 |
15 |
20 |
20 |
15 |
18 |
14 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
6 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
4 |
8 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
Нарастание пустоты (интервью журналу "Партия") |
4859 | 233 |
33 |
33 |
21 |
35 |
23 |
9 |
15 |
9 |
15 |
14 |
14 |
12 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
6 |
4 |
4 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
7 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
Разговор с Анатолием Гончаром |
3646 | 231 |
35 |
19 |
18 |
30 |
13 |
20 |
15 |
16 |
20 |
19 |
14 |
12 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
6 |
5 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
"Город" Андрея Загорцева |
7343 | 230 |
33 |
26 |
20 |
27 |
14 |
7 |
14 |
16 |
27 |
16 |
14 |
16 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
6 |
4 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
3 |
1 |
1 |
8 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 |
Немного о поэзии: Юрий Беридзе, Михаил Кошкош, Игорь Некрасов |
10848 | 219 |
39 |
17 |
18 |
29 |
19 |
8 |
13 |
15 |
20 |
13 |
12 |
16 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
6 |
4 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Ярость бунта, или метафизика Беркема |
16259 | 219 |
34 |
25 |
17 |
26 |
14 |
7 |
12 |
16 |
19 |
19 |
16 |
14 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
6 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
Технология рассказа |
5827 | 218 |
44 |
24 |
22 |
33 |
12 |
8 |
13 |
15 |
13 |
11 |
11 |
12 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
7 |
3 |
1 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
Александр Карцев |
2875 | 213 |
31 |
21 |
21 |
32 |
16 |
8 |
12 |
15 |
23 |
14 |
8 |
12 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
6 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
2 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
Алексей Ивакин |
4058 | 208 |
32 |
24 |
20 |
34 |
13 |
6 |
15 |
13 |
15 |
12 |
14 |
10 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
6 |
4 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
Неистовый Глеб... |
3917 | 202 |
35 |
19 |
22 |
27 |
12 |
10 |
10 |
11 |
17 |
14 |
12 |
13 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
6 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
4 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Казус Бабченко, или Ни одна обезьяна |
9470 | 201 |
36 |
22 |
22 |
28 |
13 |
7 |
12 |
15 |
14 |
7 |
13 |
12 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
7 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
Метаморфопсия, или Печальный Диверсант |
7045 | 199 |
30 |
18 |
20 |
26 |
13 |
7 |
16 |
16 |
16 |
13 |
9 |
15 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
6 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
Нам времени осталось мало |
7453 | 199 |
36 |
17 |
18 |
27 |
14 |
11 |
10 |
14 |
13 |
10 |
10 |
19 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
6 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
"Мародер" Б. аль Атоми |
7651 | 198 |
35 |
20 |
21 |
29 |
12 |
5 |
12 |
14 |
10 |
11 |
14 |
15 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
5 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
4 |
1 |
3 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Разговор с Алексеем Сквером |
4151 | 198 |
39 |
19 |
22 |
26 |
13 |
7 |
12 |
13 |
13 |
9 |
11 |
14 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
7 |
6 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
Тонкая нить Андрея Загорцева |
7384 | 194 |
26 |
19 |
16 |
36 |
11 |
5 |
21 |
10 |
16 |
8 |
9 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
5 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
"Обыкновенная жизнь" Анатолия Гончара |
5373 | 189 |
33 |
18 |
17 |
27 |
14 |
6 |
12 |
11 |
17 |
13 |
10 |
11 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
6 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
О повести Алексея Козлачкова "Французский парашютист" |
1747 | 186 |
29 |
18 |
18 |
24 |
15 |
9 |
11 |
15 |
14 |
10 |
12 |
11 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
6 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Виталий Носков (к 60-летию друга) |
4959 | 183 |
33 |
18 |
20 |
25 |
12 |
7 |
13 |
12 |
10 |
12 |
11 |
10 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
7 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Предисловие к "Запискам офицера Вдв" В. Осипенко |
7668 | 183 |
28 |
16 |
21 |
22 |
15 |
6 |
12 |
11 |
15 |
10 |
10 |
17 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
6 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
"Данила" Александра Карцева |
6789 | 183 |
29 |
19 |
17 |
22 |
10 |
8 |
11 |
12 |
12 |
14 |
16 |
13 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
6 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
Две повести о войне |
13831 | 179 |
29 |
17 |
19 |
28 |
8 |
8 |
10 |
14 |
11 |
10 |
14 |
11 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
6 |
4 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
Субъективные заметки о феврале и искусстве |
5113 | 178 |
26 |
22 |
16 |
25 |
11 |
8 |
8 |
10 |
13 |
9 |
13 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
6 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
Поэзия жизни и судьбы |
1634 | 174 |
27 |
20 |
21 |
22 |
8 |
6 |
11 |
13 |
17 |
11 |
8 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
5 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |